Just opened up more. It opened me up more to receive more. And there was a year say about 1960 or '61 where I was just doing, I was just having all this music pour in on me. And I never even stopped to think, where am I going, what am I doing, is this the right thing, is this the hip thing? I never stopped. I just kept absorbing and absorbing, and then when I wasn't with these people or following them around I was up in my garret transcribing Ellington arrangements or Strayhorn or like you know, just trying to learn. Because Yale really didn't prepare me for real music.