I would say listen for that. Listen for some kind of dialogue. Listen for one guy to say something and see what comes back. See if the components are responding to each other with what they do. And I wouldn't want to get any more literal than that. And then I'd say if you can't do that, maybe you can get off on the sound, on the emotion, the totality of the thing, and it certainly had that, it was a huge sound. And the screams that would go right through an ordinary person and probably make them jump up and spin around a few times and then run out. I saw that happen. I saw people reacting that way to Cecil's music one night when he got into a vortex and somebody got up from their table and started saying "this is shit, this is shit, I can't stand it" and went into a vortex themself and ran out into the night. But that same person came back and they couldn't get rid of them. Came back night after night after night and sat there respectfully and wouldn't go away, became a regular.