I think I was - I think most of the things we did was because of the rhythm section, the style of the rhythm section together. We got hired a lot of times for that, for the rhythm section, for being together, and what we played together and the reputation we had established in over a year working at the Onyx Club. So everybody knew, if you're looking for a combination - if you want Jimmy Jones and John Levy and Denzil Best, you've got a rhythm section here. These three people will accompany you and will work together and do their best to make whatever you're trying to do, happen. So producers or people who - a record company, who, when they were looking for somebody to work with somebody else that was one of their other stars or a lead person, they'd look you up. Also, there was a shortage of top-notch musicians at the time we're talking about, because the war was on, and a lot of musicians were in the army or the navy. Some of your best musicians, like Clark Terry and all those guys, they were in the navy or the army. Some of the best musicians in the country were in the army. Shelly Manne - he used to come in, sit in with us, from the naval base in New York.