Into everything. I don't know. His schedule - he was doing something all the time, and he was being called on for all kinds of different projects. A lot of projects that Cannon worked on, I was not a part of. I didn't collect commissions on everything he did because we were a - when he went with Miles Davis, for example, that was to me a key - a growing - because Miles Davis called me and said, "I'd like to have Cannonball Adderley. Is it okay with you? " We talked about it. I didn't want to  I didn't get involved with any of the negotiations or the whole thing with him. I said to Miles Davis, Fine. I think that'll be great for him. I think that will help him, because we're not getting anywhere with the Cannonball Adderley quintet, with the group as a whole," because in the first place, we couldn't record with just that group. Everybody wanted us to do something different or they wanted to - and even with the contacts I had at the time, for some reason we just could not get that group recorded as a group. They didn't feel the name was big enough, or something. They always figured you've got to be with somebody else with a name to sell the records. Nobody wanted to start from scratch and try to build this thing, except me. So when it came down to anything that went out, I said, I don't get any commissions for this. I'm trying to build Cannonball Adderley and the group, and that worked. So he did a lot of things that I didn't even know about or wasn't privy to, but I know that he worked on a lot of different things with a lot of different people on a lot of different projects.