Thank you. So you see, this is the group that's there. They said, tomorrow, we're going to play this same tape with these same catatonics. Not a response. Not a foot movement. Now isn't that strange? The union had allowed these musicians to come and play. It was called Sawtell. That was the name of that place. No response. But the head of the union came and said, "This is so  important, I'm going to ask for volunteers to come out and play one day a week and see if we can get a response from these people. Then I went to a different department, and I played. It was outdoor in the courtyard. A guy jumped up on the stand and started playing piano like Teddy Wilson. I was amazed with this guy who was so unwell in so many ways could play complicated jazz. Then again, you think, does he have a chance? Is there a piano where he can go and use it? There's so much can be done. There was some follow-up there. I don't know how many years it would have gone on, whether there was follow-up. But people realized that live music, not recorded music - that was enough. That's what they wanted to find out. It took live musicians to get this response, this one on one situation.