I mean I didn't agree, I wasn't interested in going where John Coltrane went, but I'm so glad he did. I think elements of what Trane and Ornette did I utilize, I shouldn't say I didn't. But nobody was freer than Charlie Parker. And since I'm a well trained musician, I mean nothing's going to surprise my ears. I've listened to Ives since I was a kid, I mean I listened to Stravinsky since I was a kid. There's no big deal about a plus nine, or a poly chord or Cecil banging the keyboard. It's all been done, it's all been done. But to be able to say something in that, to keep that identity, like people like Trane or Dolphy and Ornette did, now that's art. That we need more of. I'd like to hear more of that. John Zorn fits this category. He's got a band called Masada, and they've got fitzpunny, they'll go to the theme from "Batman" then they'll go to a tune then they'll go somewhere else. Just what we were talking about. Big wide pallet and spacey, funny, exciting and he also writes. He writes for the philharmonic, he writes string quartets, he writes movie music, I mean he does it all. This is my kind of guy. I'd like to hear more of that. I'm really not so interested in what Buddy Bolden sounded like. I couldn't care less. Let the man rest. And I hear from people that were there say the cat couldn't blow his nose anyway, so we're not going to hear him. Okay, let's get on with it.