Yeah, youre talking about the Hiroshima piece. Well, that was commissioned by a priest--who was here not too long ago, in New York, with his son--but anyway, hes a jazz fan. He has quite many, hes very aware of my music that I have written, uh, Minamata. " Thats why he asked me. It was 1999 and I was in the midst of writing for the tribute to Duke Ellington and it was--excuse me, 1998--so I told him, "Im kind of busy," and he said that he would wait, and he sent me a photo ... uh, (mumbles), its somewhere here. The photo was taken three days after the bomb was dropped, and, uh-- I mentioned earlier, think yesterday--that I was born and raised in old Manchuria, today China. And uh, I never had an air raid experience or anything like that, and then after we came back to Japan, the whole family in 1946, I started playing immediately in the dance hall. And also, at that time, there wasnt much talk about this bomb dropped by the Americans. I think, probably, Japanese journalists and government and so on were very sensitive about not writing things like that: we were, you know, right after the Occupation time, so I think thats.... So it never even occurred to me. And then later on, after I came to this country, I heard news about some of the girls who were victims came here for treatment (the so-called Hiroshima Maidens). I heard all that. But I didnt really think much of it, to tell you the truth. So when he gave me this photo, and I was so shocked, because I had never seen anything like this. So ... I wasnt quite sure if I could write something like this. And first of all, we were looking at it--that was done in 46, 194--   ...