Yes, very easily. Because see the trombone, that instrument actually was -- we kind of gave a false impression in many cases, because they would think about the circus. You know you hear the trombone [scats]. But the trombone actually was invented to play melodies. That's what it was invented for. And that's where it's the most beautiful is when it's playing melody. Because that's the strong point that I work on in my own development is the ability to play melodies and to make lines that I play of other improvisations sound melodious. Because there's one thing that I found out about people.  They can relate to a melody. And especially one that they've already heard, but even if they haven't heard it and it's beautiful, they can relate to it. And once you've played one song that they know, everything you play after that they'll try their best to understand it.  So that's my style, is trying to be melodious, and try to develop -- I work on my sound. I want to have the most beautiful sound that I can. So when somebody hears it, even before they think about what I'm playing they say that sounds good. That feels good. That sounds good.