For that one gig. So now I've got arrange an album's worth of music to play at this festival, and either truncate what I've done with the big band and make it smaller -- I mean you can't use the same music, it's going to sound like crap you know. Any arranger knows that. You just have to do it over again. Otherwise it's not going to sound -- so that's work. That's serious work. To me that's two weeks of work right there, just for this one gig. And to this booker, they just say well it's a gig. I say yeah, but you know, you've got to get me more for that. That's like the Nice Jazz Festival, they wanted to give me some money to do, they wanted me to re-write "Porgy & Bess. " And it was like the money was sizeable, I mean it was like $25,000. And I looked at my schedule and finally I said no. Because for me to change -- I mean that would like change my life for the next six months, for me to re-write "Porgy & Bess. "