James Brown. I had known about James Brown for years. I knew about him. Suddenly I got a phone call. It was James Brown. James Brown said, "Louie, this is James Brown. " I said, "You mean the James Brown? " He says, "Yeah. Yeah, yeah, yeah, yeah. I want to make a record with you. " I said, "You sure you got the right guy? " He said, "Yeah. " I said, "What do you have in mind? " He said, "I want Oliver Nelson. Oliver Nelson. I heard Oliver Nelson in your band, and I want to get him to write the arrangements. " I said, "Fine. Wonderful. " "We'll do it in L.A. with your band, and I'm going to do . . . " Oliver Nelson said, "Yeah, I'd like to do that, write the arrangements. " So we got together, and James Brown said, "You write too. Why don't we do one of your compositions? " So I said, "Okay. I've got the right tune for you. It's called I need your ki to turn me on. " It's on the album. The ki is the k-i, which in Japanese, that's a martial art form. So I wrote that, and wrote a little patter in between for James Brown. We did that. Everything jelled just perfectly. Also on the record was Maceo Parker . . .