Yes. I respected the tabl players, the Indian - in fact Steve Smith is really into that now. Ed Shaughnessy was into that for quite a long time, <span class="otherMatch" rel="popover" id="other_5327_3633312"><span class="otherMatch" rel="popover" id="other_5327_3633314">India</span>n</span> music. Emil Richards went to India to study and also buy instruments for his work as a motion-picture percussionist. I respect that. I haven't really gotten into it like I should, but I might want to listen to quite a bit of it, because I know, watching some of the tabl players and Ravi Shankar - I went to a couple of his concerts. The tabl player was fantastic. Their complicated rhythm is 4/4. They played 33 and 1/3 over 16 very easily. There's a joke about that. Some Indian players were getting ready to do a gig. One guy says to the other guy, "I've got a difficult job to do tonight. I have to play something in 4/4. How do you do that? " Yet he can turn around and play 33 over 14. Wow. It's fantastic. Of course they grew up that way. I respect that kind of playing entirely. I went to Africa twice. I had a chance to listen to some of the drummers from Ghana. They floored me. Not only what they played, but the sound. We try to take a tom-tom made over there and bring it over here, in a different climate, and expect it to sound like that. But one of the drummers over there told me, you can't do that. It's like wine. You take wine from Montefiascone out of Rome and bring it over here. It don't taste like it does where the grape came from. That's technical. I would say that - where was I now?