Oh, yeah. I mean I don't think you can be a musician and not have some kind of religious philosophy. If you're going to be a creator, you certainly must think of being created, so if you were created, there is something that created you, somebody, so anyway it teaches you that there's a higher power. So I think musicians just put two and two together like that. And we can't all verbalize exactly what we believe in and stuff, and I'm from New Orleans, and I think I'm pretty spiritual. I know that some things -- I know now that some things can't be explained. Everything doesn't have to be explained. So some things just are, and we just beat our heads against the wall. I'll tell you a for instance -- maybe about seven years ago I went to Morocco with Randy Weston. I've been playing with Randy Weston for about the last fifteen years, and it's really been glorious what I've been through. At any rate, this was an affiliation between French, Spanish and English. That's the way it was supposed to come out. It was the story of Randy Weston first going to Tangiers, I think maybe twenty-five years ago. He did go to, I don't know how much you know about Randy Weston, but he was a man born in Brooklyn and oh, maybe about twenty-five years ago his father told him that he was an African who just happened to be born in America. And you know, we've all come around and now we're all African Americans. But his father hinted that to him a long time ago. Anyway he's lived in Africa and played with African musicians. We played Montreal two weeks ago with some people called "The Guanawai." Anyway, getting back to my first story, when I went to Tangier, the people we worked with are called the Guanawai, as I said. They used to be the king's orchestra, when there still was a king, that was before 1948, when Morocco got its independence or whatever, from under the protectorate. The king gave this band a whole city outside of Tangier. It's called Tushuka. It had a little prominence during I think one of the Rolling Stones, Brian Smith went there and stuff, Ornette Coleman had a little experience there. Anyway, when we were filming Randy's return to Morocco, it was really interesting because we had this town, Tushuka is about a two hour drive outside of Tangier. And somehow, Randy had gone there during his visit or something. Anyway they were taping a night there. So we got there maybe about five o'clock. And this is kind of so remote, until the cars couldn't drive up the hill. We had to ride up the hill on donkeys. And that was really very interesting because here is six jazz musicians on donkeys, you know. Already, that's ingredients for a lot of comedy. Al Harewood was the drummer. And Al has short legs so kept somehow missing the donkey. He'd get on the donkey and his legs weren't enough to grip, so he'd fall. Anyway he finally got himself situated on the donkey, and these donkeys I think for years have been trained to go straight up the hill and stuff. Anyway, this particular day, Al's donkey decided he didn't want to go up the hill. So he veers a little to the right and Al is saying "somebody come and give this donkey something." Anyway, we finally get up the hill, and the camera crew is setting up stuff, and it was like in this little village with trees and stuff. So they wrapped some of the equipment around trees. You know how it is when you're going to do a video shoot, the wires have to go everywhere. Anyway it just so happened that Randy had his daughter with him at that time. And just before we were about to tape, one of the branches on the trees broke. So there was a lot of conversation about the spirits didn't like something that was going on at this particular place. But it was just one of the adventures. It was pretty wild because it is the place where the whirling dervishes are kept from people, whirl themselves into a trance, and all sorts of, that's why I said some things can't be explained. Some things are like coincidence and so forth.