Harold Valle: Yes, every Friday evening. At first they were on the top floor and they had a small space where people were able to dance, because at first there was no dancing. They graduated to the basement, with more dancing. Dance has always been an integral part of the jazz scene, but it had diminished. The musicians who were being featured there were astounded because they thought people didn't dance to their music anymore. So of course they were pleased because they could see the reaction of the crowd. Somebody could be sitting and listening to the music and their mind could be a thousand miles away. But if somebody is dancing you have to be cognizant of what's being played, so the musicians were very pleased because they could see visually their ideas! The musicians appreciated that and it began to pick up and more and more people started to come. Jazz 966 is maybe the only medium here in Brooklyn where people still appreciate this type of expression, So the swing steps have been resurrected [at Jazz 966]. Our aim is to bring jazz back to the feet. We're trying to convince the younger generation to be more involved with [jazz] in order that the music won't die.