Well man, these people are receiving tapes and press kits and requests every day. It's a buyer's market now. There's more bands than there are places to work. And then what is fading out but what was the predominant determining factor over the last ten years was these record companies getting their new artists into these clubs and their new artists, the club being able to pay for it because the new artist, they're not charging that much, plus the record company is buying 500 seats for the week. So then the club owner, he or she has to do nothing. I'm going to have this person here in my club who's getting fresh ink, this is the person that's being written about, this is the person that's being nominated for the Grammy, this is the person that this record company is pushing. Right? And the record company has bought 500 seats for the week, which means they're going to fill them up with record execs. But the club owners got warm bodies in the seats and that's the bottom line for them. That's all they care about. But then that's not happening. So then established artists who have the track record and all of the credentials may not get the gig. Because this is not the person who they put on the cover of "Jazz Times" this month. Oh yeah, we know of him, oh yeah he's great. But then this new little shiny guy, that everybody's talking about right now. And there's this one club for all of these different variables. So you can see the situation.