Yeah, the music of. Now I never heard Louis Armstrong do a tribute to anybody. His great tribute was to carry the music on. When you listen to Louis Armstrong you heard those who preceded him. He didn't turn his back on the future and face the past to give validity to music. This music is only validified and further advanced in its credibility by those who look forward and constantly advance the music, you know, and build on top of what has already happened. And that idea is being totally lost. Those who want to do that are having a hard time. Those who are willing to turn their back on the future and look in the past and do a tribute to this and a tribute to that, you know, and just step back in time, they are being accepted a lot more than those who have a vision. So in many ways the Jazz at Lincoln Center has been a great deterrent to the development of this music. And then taking the young people now, look I love the fact that we have young people who want to play the music. When I started playing the music I was a young person. I was 14 years old. And you look at Kenny Dorham in his prime and Clifford Brown and all of the great heroes, they all were young. But what was happening then was a master-disciple relationship that is as essential now as it was then, maybe even more so now, because we've got to fight for it. You've got to learn from those who preceded you. And what better way than to be amongst them? You know the days when kings walked the earth, you know you wanted to come to New York because -- and you wanted to stand out on 52nd and Broadway in hopes that one of your heroes would walk by, and they did. And then you went running behind. You'd find out where they were playing and you went and you crawled through the window or whatever you had to do to get in and listen to them. So in many ways the music -- you know and you can't even say that it's more popular now. Okay it's being used. Jazz sells everything. And there's always those who want to be in the in. So it's hip to have some kind of knowledge or some kind of understanding of jazz now.