Yeah. So after we stayed there for a while the man said "look, next week we're going to have a show every night, seven nights. " And he said "why don't you, just your trio play. "    And he said "we're going to have maybe six acts to play for. " They had dancers, singers,  comedians, everything, you know all kinds of guys dancing on skates on top of vibes and  all of that. So we had to play this music. So the group I had, we had formed a style that  sounded like a big band because we listened to Basie and the Duke and we'd take and  play those riffs and all of that. So the trio would play the same way. So the people liked  what we did and the place started getting crowded, because like I say every night --  seven nights we came in. So I stayed there I think about three years. And then I left and  went to another club right down the street, called the Herod Club, upstairs, so we got a  night club and we played a few tunes just with the trio then we added a horn you know.  We added a horn and one night a guy came in and says, a guy came in with his guitar in  his arm, old raincoat you know, and hat all crumpled up. He says "could I sit in with you  guys? " So we looked the guy and I said "I don't know. " One of the guys said "you think  you can play? " I said "all right, come up. " He got up and he tuned up his guitar all open  you know, and so he said "what do you want to play? " So we started calling jazz tunes  like "How High the Moon" and stuff like that. He said "okay. " And he played, and the  guy played so well that he got through it. I said "what's your name? " He said "Bill  Jennings. " You know Bill used to play with Dogett?