Well I'm pleased that you said that, but I was a drummer, and there's a difference. I was very pleased and fortunate to have been able to fulfill my dreams and hopes because I started to play when I was about five years old, banging on pots and pans like most of us did. And the reason I got to do that was my sister was a very fine singer. She was like a child star. And she worked with Buddy Rich when he was Traps the Drum Wonder. And so for some reason when they took me to rehearsal to watch her, I would watch the drummer in the pit. And you never know why, Monk, you just don't know why. I can't tell you way, and you try to emulate what he did. You take your hands and ... whether it's good or bad you don't know at the time at all. But all of a sudden you get kind of hooked on it when it comes in here and it comes in here. That's what you want to do. And I'm very happy that I did get to do it. And then what happened, I'd go home and listen to Chick Webb and Jimmy Lunceford and Duke Ellington and Count Basie and Woody, stay up and listen to the remote broadcasts at night you know. From the Park Central Hotel and now the King of the Drums, Chick Webb. And he'd do a thing called "Let's Get Together." So I knew all the theme songs you know. And then, older, Benny Goodman's band, Gene Krupa was the innovator. And I listened to him and I said "boy that's the greatest." And it's not that my sister said he wasn't, she said "well I know somebody that's better than that." And I said "who's better than Gene Krupa?" and I said "and who is it?" "Buddy Rich." She said "well he's playing at the Hickory House with a little band named Joe Marsale." That was his first band after he left vaudeville. Vaudeville was over when he was about 17 years old. He was a vaudeville star.