I always have more material than I have space for. That has always been the case. So it's a matter of going through what I have on hand or what I know people are working on and determining what the balance is going to be. In each issue I try and have an historical article, some Ragtime feature, some festival feature, and we have regional columns always, and then reviews. One of the most popular things that we run is called "Ragtime Machine" and it's transcriptions of interviews that David Rafkin has done at the University of San Francisco. He has a radio show called "The Ragtime Machine" and he interviews all kinds of Ragtime people, some jazz people, and sends me the transcriptions and we run those because the University of San Francisco has a very limited listening audience. And that's a very popular feature. The historical features, somebody, those are generated sometimes by me where I have a writer where I think that writer might have access to somebody or I know they have a particular interest. Otherwise, now for instance David French had written to me and he kind of came out of the woodwork. I didn't know about him at all but he wanted to do a piece on Ziggy Elman. And I thought well okay. And so we talked and he turned in the initial few pages and I thought well that's pretty interesting and he's a good writer. So we worked together and then published that story, and now David is writing the New York column for me and he really is a wonderful writer and a wonderful guy. So we've built up that relationship. With Chip, I'm trying to think of the first article that Chip did for me, and I honestly can't remember at this point because it's so many years ago. But I told him that I'd always wanted an article on Sam Wooding, and so he -- and I can't remember, and there again we're going back years and years and years, I can't remember who I had access to, but I put Chip on to that person and eventually we did run a two part article with Sam Wooding that ended up in one of Chip's books. And he formed a friend with the family where when Sam Wooding was dying Chip literally did his last interviewing of him, pretty much even when Sam Wooding was on his death bed. I mean it's quite a story. I ran a story this last summer that had been six years in the making on Thelma Terry, and that was a fellow who was really enamored with her and very little was known about her. The fellow who wrote it is a philosophy professor in Minneapolis. And he said "are you interested in a story on Thelma Terry?" Well he and I both worked with Thelma's family. He had rounded up her family in Michigan and we went to Michigan, he got them to part with some photos from the scrapbook, they didn't know very much about her. And it took six years before we actually got it in print, and I ran it as a two part story and it really turned out fantastically well. And in fact when I saw Dan Morgenstern this last summer he came up to me and said "thank you for running the story on Thelma Terry I always wanted to know about her."