Yeah. My best story about Max Roach is we were playing, a quintet without a piano, playing tuba, two trumpets, french horn, and me, and Max Roach, which is a difficult - it was difficult to keep that sound going. We played a gig, I think, at the Regatta Bar in Boston. It was one of the first gigs. We finished with the first set. Max Roach called everybody together. He said, "What did you all think? How did it sound? " Of course me, still being rather youthful, I said - I think it was a 75-minute set - I said, "I thought we were really strong for the first 45 minutes, 50 minutes, but we got to maintain. That last 30 minutes was a little tougher. We got to figure out how to maintain the intensity of it. " Max Roach was like, okay, cool. So we go out for the second set. Hes like, "Donna Lee. Delfeayo Marsalis. You got it. " Delfeayo Marsalis slaps out an extremely fast tempo. ] Were like [he sings a line of notes blurred together]. So then, after that set . . .