I dont know if hes on that one. But I know that Wellman Braud did play. We always have had a respect for the older generation, not in a way that we feel that we should do what they did, recreate their existence, but that we have to respect it and move it forward. I think its similar to what we see in the movies with the Italians who are from the old country. Their thing is, theres a code that you have to abide by, and you do your own thing inside of that, as long as you keep the code going. Thats how I feel with the music. Ive always felt especially compelled, when working with the older musicians, to preserve what they have done. Milt Hinton - when I knew I had the chance to record Milt Hinton, I thought about that endlessly for two or three months. What mics was I going to use? How are we going to place it? Ive always felt - when I recorded Herbie Hancock or any musician that I had an opportunity to record thats of the older generation, Ive felt more of a responsibility to  because they grew up in a different time, and I wanted to let them know, we can take care of business too. That was another message, playing with Elvin Jones, playing with - and knowing Clark Terry. At any rate, all thats important to me. Moving forward, I think the most important thing is, the greatest jazz has been played in the past generations. We want to make sure that the students or that the young people know that it exists and that it can be cool to know that it exists. It can be cool to know whats happening today and also know that there was something that happened before. I think that by preserving and maintaining that - but also by moving forward and doing our own thing. For me personally, I dont agree with - some guys have repertory bands, and they want to recreate Ellingtons music as it was originally played. Thats fine. Im not interested in it, because theres no way for me to play it any better than what Duke Ellington did. For me the idea is to take that music, but do something meaningful. Not just to take it and say, okay, Im going to change it up just for the sake of changing it, but to be both reverent and irreverent at the same time.