Yeah. I went to the New Orleans Center for Creative Arts, which shaped my overall philosophy about music, in that the teachers - we learned everything at the same time. Let me say this a different way. Cut. Cut it. Edit. Is this going to be edited? Its not going to be edited. Oh well. Thatll be all right. Youre not going to edit it. I see. Okay. Its cool. All right. Take two. Studied at the New Orleans Center for Creative Arts. In our performance classes, we would all perform for each other. So you might hear something from a Puccini opera. Then you might hear a Beethoven piano concerto. Then youd hear I Can't Get Started. Then youd hear Now's the Time. It was such a wide range of music, it gave us an appreciation for the relationship between the different styles. That shapes - on all of my recordings, I try to cover a wide range of styles inside of the recording. So its - have something from the swing, something thats just swinging, from the swing era, something thats more bebop influenced, thats more linear, and then something modern, which could basically mean minor tonality or Phrygian. We try to do something funky. I try to keep that range going on all my recordings.