And he really made me think that I was marvelous, you know, his comments and everything. Still, I didn't know I was going to be a part of that musical world, and when I came to New York in '56, on the strength of that movie, "The Girl Can't Help It," I was working supper clubs and wearing this dress and bouncing on the stage, so my breasts would jiggle a little, but when you're young, you know what I mean, you're really naive and this is what my -- I was -- people who were helping me, my choreography and like that. It wasn't funny to me, though. I mean, I didn't feel -- I've always taken it seriously. So, it wasn't easy to make light of my life like that. It was Max that told me "you don't have to do that." He saved me, really, from myself. He helped to save me from myself, from all this that I was involved in. I was learning. The first album I made with Max -- well, my first album was with Benny Carter, Jack Montrose, and Marty Page, standards, that some of them -- most of them Bob Russell had written. He was helping me and I was helping him.