No. Black Orchid. Johnny Mathis had been working, was working there, and people like that, and Larry Storch. We were not great stars yet, but we were on our way there, you see, and Oscar Brown came to see my performance when I was there. Sallie Blair had worked there before, and he was a poet, but Maya Angelou was a little more outgoing than I was and she told me that he was a wonderful poet and I -- anyway, I had a chance to listen to his poetry and he started -- Max Roach came to Chicago to work and also met Oscar Brown and they decided to write this piece, "The Freedom Now Suite. " They got to a certain point and they couldn't agree on how to proceed with it. So, Max Roach wrote "Prayer, Protest, and Peace," and I didn't have any trouble with "Prayer," but I had a hard time with "Protest" because I had never screamed before in my life. I never heard my mother scream or any of my sisters scream. If anybody came for your life, you'd take something to defend yourself and you didn't scream. You were too busy trying to knock somebody out, right? So, Max Roach knew I didn't know how to scream. So, we were on our way to a job and my little nephew was in the car. He was only eight, and he loved Max Roach and Max Roach loved him, too. "Darryl, scream for Abby because she can't scream" and Darryl screamed and Max For additional information contact the Archives Center at 202.633.3270 or archivescenter@si.edu was about to say something and Darryl said, "But wait a minute, Uncle Maxie, the reason I can scream louder than Aunt Abby is because I'm a little boy and babies can scream louder than me and Aunt Abby can scream louder than you," and for the first time I understood what screaming was. It's for a woman's protection, and I started screaming. Mm-hmm. Sometimes really brilliant insights come from a child's mouth. They're innocent and they know things, too. Yeah. He explained it very simply.