And you made a comment, you referred back to Billie Holliday, actually, and I have it. I'll just read it to you, but it struck me as being so far ahead of its time. Here it is. Okay. He said to you, "Who's a good singer to you? " And you said, -- no. Someone said to him, "Who's a good singer to you? " And he said, "Billie Holliday," and you said, "Tell me why is it that you never censured her for being an obvious masochist. Everything Billie Holliday sang was about unrequited love. Now, why is it nobody got after her about her subject matter? She sang about what was most important to her and I, Abbey Lincoln, sing about what is most important to me and what is most important to me is being free of the shackles that chain me in every walk of life that I live. If this were not so, I would still be a supper club singer. Now, just tell me why you never censured her for this. " Well, a couple of things. How much of it had to do with what was an acceptable image for a female at that time in your art? Nobody would bat an eyelash if you sang about unrequited love, but if you sang about something social and strong, you would be suddenly this intrusive voice. How much of it do you think was that?