Yes, I've been working on it for 20 or 25 years and I don't have a title for it yet, the autobiography, but I want to tell a story that will describe for youngsters what is before them when they say they want to come to the stage. I want to talk about a country and a world that is difficult sometimes to live in. Well, I said this before, but I would like it to be just to approach Charlotte Bronte's "Jane Eyre. " With "Jane Eyre," you knew in that story, you knew who the English were, what they were socially, who they were socially, how they felt about things. That's what I'd like to write, a story that tells about a world and a people, and to show somehow the value of the work, the value of the music, to be somebody great, like Duke Ellington who's got a street named for him just two blocks up the street. Mm-hmm. Other than that, and I looked forward. This is my 66th year. If I live to be a hundred, I'm more than halfway through it, you know. I don't want to live to be a hundred, but I'd -- well, I look forward to eventually to the transition, to that thing that happens for all of us. We don't have to stay here forever, and I'd like to leave everything intact. Hopefully somebody will find it useful, the thoughts that I have. I always -- all my life, they told me when I was a young girl, Anna Marie, you talk too much. When I became Abbey Lincoln, Abby, you talk too much. Well, I'm still talking.