It's a residual of the music because the music is -- you know, we don't have -- we don't work in temples or in a protected environment, like the European classical form or like ballet dancers. There's tradition and precedent that goes before it. Well, this is by hook or by crook. You never know who you're going to meet. It's a spirit and it hangs in the corners in the dark and it loves somebody innocent to abuse. I met that spirit when I went to Honolulu. Corruption, you know. The musicians, the saxophone player said to me, "Anna Marie, you're sitting on a million dollars. " Everybody was a prostitute and a dope addict and a dope pusher in Honolulu when I got there. My mother taught me better than that. I never did do that. They used to call me the square broad that works at the Brown Derby.