Gee, I wish I could answer that one. But you're doing what you can by having these archives and trying to expose the kids to letting them hear some of the stuff live. I've been playing a few elementary schools and high schools and little kids love it. It's amazing how little kids, first graders, second graders, third graders, they come in and they just get so excited. They jump all around you know, and if you could get them at that age, that's...but how you going to do it, because there aren't enough musicians around that are left, you know they're all dying off, the ones who played Swing, the style we play. There's just a handful of guys as I mentioned before, that are in their 30's, 20's, 30's, 40's, you know, Dan Barrett, John Eric Kelso, Randy Sankey, Harry Allen. Now there are a lot more than that, but they happen to be the ones that I've been working with lately. But there are young guys that are marvelous players that, well, they wind up teaching school because there aren't enough places to play. You can't make a living. It's a sad state of affairs, because when we started out, there were all kinds of little joints you could play. You've got to have places where you can be lousy, to start. And in those days, you could. You could play rotten and they thought it was marvelous.