It does but that happens after the fact. I mean when you're writing it you're not thinking of that, you're just doing something that you like that appeals to you. You write it out and did an arrangement for the band, that's the kick, when you hear it back the first time. And then as it goes on it gets better because they play it better. They learn it and everybody seems to fit their part and get in to blend better and everything's smoother. So that's the thing about arranging for a band. You see it evolve and get better as its played. But the very first hearing may have spots in there that are a disappointment to you as well, you know, it works two ways, and you fix it. You take it out or something, you fix something.  Whatever it needs. That's what, they say Glenn Miller was very good at that -- that was one of the best things he did was be able to doctor up arrangements. Of course he was a good writer himself, but, and Artie Shaw was very smart at fixing arrangements too. He could just make one little change ... and Benny Goodman and Tommy Dorsey. They were all very good at fixing arrangements that weren't quite right, so they had to make little cuts or repeats, or changes of volume or whatever, you know. Tommy Dorsey was, according to Yank Lawson, and a lot of guys that played in the band said that Tommy was probably the best band leader. He was able to get the most out of the arrangements, and of course Glenn Miller's arrangements have lived longer than any of the others and there are more of them. Those were mostly Jerry Gray's arrangements. And they were all very well written. Things like [humms] "In the Mood. " It's probably the most popular arrangement out of the whole Glenn Miller thing is "In the Mood. " And it's kind of, I know one of the guys in the band was Al Klink and he hated that "In the Mood" so much that you wouldn't believe it. See he and Tex Beneke split the tenor solos on that record, it's four and four all the way through you know. Four Al Klink and four Tex Beneke, back to Al Klink, and back to Tex Beneke. They did a lot of take four's, and still do that today. So Al Klink, to his dying day, he just died a couple of years ago, that was one of his big hatreds that tune. You have to do it all the time, doesn't mean you have to like it, you know, you just do it anyway.