That's right. Like the Crosby band had the "South Rampart Street Parade." We always had to play it wherever he went, you know. Crosby himself became a band leader and he'd go around to different parts of the country and get all the local guys. He'd call ahead and some guy would contract the whole band: a sax section, a trumpet section, trombones, and rhythm. And he'd just go in with his arrangements, pass out the arrangements, and they'd rehearse and then he'd do his concert. And lots of times the local musicians were not necessarily real good but you didn't have to be that good if you're just playing in a section. You don't have to be a soloist. And I think that's the way it is with a lot of the kit bands today. You know you used to call them stage bands, you've got four trumpets, four trombones, five saxes. And there's an awful lot of music written for that kind of combination. The problem being is when you come right down to the solos, when there's a top tenor solo in there some place, who's going to play it, and is he ready for that? Because a lot of guys can play in the section and you don't have to be that good to play a solo.