That's where the dixieland come in. Show business on the stage. You can't do that on the stage. It's dull on the stage. So you put on a stripey shirt and a straw hat and you blast out. That's show business. But authentic New Orleans jazz is poor people in a nightclub, in a cabaret, a man with some money in his pocket and a beautiful woman, and he wants to get up on the floor. He wants to dance with her, and he don't want to be on the dance floor getting out of breath when he's dancing to it. He wants to talk to her while he's dancing. He wants to squeeze her, et cetera, things that a man would do, that a woman wants a man to do. He's close to her, and their bodies and hearts beat together, and the vibrations of the limbs and the muscles in coordination. Got that? Is that the right statement for that? That's a kind of description. So there's no need of all this fast, out of tempo music. You do that on a stage. When you don't have the quality of getting down and being gutbucket, you go into hilarity. They put on a show. It's a different type of show. That's the difference about this thing. These people wouldn't have had no monkey shine when you're in a cabaret with a woman. You don't want to see nobody with no striped coats on and straw [? (inaudible)] on their head. You want some cat sitting in a corner with a derby stooped over his head. You barely can see his eyes, blowing that horn the way he feels. The lights are down low. If you notice a lot of clubs you pass, black and white clubs, you don't see no gang of bright lights in there. Some clubs, you look and you barely can see the people inside.