Kid Rena. Buddie Petit. Chris Kelly. Every element of Chicago had its halls. Every element of Chicago had its musicians who played for them halls. You wouldn't expect Chris Kelly to play them funky lowdown blues where Milford Piron played, and Milford Piron wouldn't play the joints where Chris Kelly played, or Kid Rena or Buddie Petit. You understand? Each level of society had their music. It was a well calculated thing. It was well practiced. Certain musicians played for certain people. That changed the whole saxophone scene. It was David Jones. That's what Lee Collins tells me, and I could see it. I could see it, how he mastered that tenor saxophone. When I get to New York, I really see what . . . He had started playing here. But New Orleans is never famous for famous tenor players, because this was the clarinet town. Had clarinets after clarinets. Good players who could play. Louis Nelson Delisle. Alphonse Picou. What's his name? George Boyd. He was a bitch.