No, but it was a big hit, and she covered the record for Capitol and got more distribution than the girl who actually made the record on a small label. We went to California to live. The people in California was angry with us, because we covered that California girl's record. There's a big story behind that. All right. So I go with Clarence Williams, with the guitar, and we go on the West Side. He goes to a joint, a bar, regular bar, corner bar. There's Irish and Italians in this bar. He stands outside. People in the bar's looking. They see these two colored guys out there, but the bartenders know him. The boss know him. They check out his fiddle. You stand outside the bar, and I got the guitar. Say, "You in tune? " "Yeah, right. " We fooling around. All the people . . . some of them who can see is looking. He say . . . take the fiddle, say Barker sings]. Irish. When Irish Eyes Are Smiling. He play that so pretty, you hear a pin drop in there. After he plays, stop a while, and then he go, Take Me Back to Sorrento, for the Italians. [Barker sings. ] He played it so pretty. All the Italians in this club, and he  walked in the door. He said, "Erin Go Bragh. " That means something in Irish, in Gaelic, in Irish. Erin Go Bragh. Happy to everybody. And he said something in Italian. He tell me, "Applaud. " [Barker claps] I applaud, and all the people applaud. Then he walk in like he own the joint, with his fiddle in his hand. There's a bunch of Italians, old Italians there, and they said . . . they start arguing amongst their self, and they said, "Nice fiddle . . . " How many minutes yet?